About

A 1990s-vintage Radiohead poster by Jermaine Rogers provided the go-by for this tight, trippy techno face. Jermaine’s design, it turns out, was an adaptation of a Ray Larabie font, Dignity of Labour. This version cleverly combines stark geometry with Art Nouveau sensibilities to produce a kind of Digital DNA feel.

The commercial font is “new and improved” over the freeware version, with expanded character set and improved kerning, so you get what you pay (or don’t pay) for.